Roger Hiorns — Photo © Roger Hiorns
On display at COME CLOSER
A Retrospective View of the Pathway, 2024 (september)
Two heavy industrial vessels emit a fun foamy bubble. Inviting you to feel, smell and play, just like a child. The ‘self-producing sculpture’ keeps reinventing itself. It even appears that no artist is involved. Unlike other sculptures, this work is unpredictable, it always looks different. How liberating! Or does it make you feel less comfortable?
- Daily at 12:00 and 15:00
- Read the rules by the artwork
A Retrospective View of the Pathway, 2024 (august)
Two heavy industrial vessels emit a fun foamy bubble. Inviting you to feel, smell and play, just like a child. The ‘self-producing sculpture’ keeps reinventing itself. It even appears that no artist is involved. Unlike other sculptures, this work is unpredictable, it always looks different. How liberating! Or does it make you feel less comfortable?
- Daily at 12:00 and 15:00
- Read the rules by the artwork
A Retrospective View of the Pathway, 2024 (july)
Two heavy industrial vessels emit a fun foamy bubble. Inviting you to feel, smell and play, just like a child. The ‘self-producing sculpture’ keeps reinventing itself. It even appears that no artist is involved. Unlike other sculptures, this work is unpredictable, it always looks different. How liberating! Or does it make you feel less comfortable?
- Daily at 12:00 and 15:00
- Read the rules by the artwork
A Retrospective View of the Pathway, 2024 (june)
Two heavy industrial vessels emit a fun foamy bubble. Inviting you to feel, smell and play, just like a child. The ‘self-producing sculpture’ keeps reinventing itself. It even appears that no artist is involved. Unlike other sculptures, this work is unpredictable, it always looks different. How liberating! Or does it make you feel less comfortable?
- Daily at 12:00 and 15:00
- Read the rules by the artwork
A Retrospective View of the Pathway, 2024
Two heavy industrial vessels emit a fun foamy bubble. Inviting you to feel, smell and play, just like a child. The ‘self-producing sculpture’ keeps reinventing itself. It even appears that no artist is involved. Unlike other sculptures, this work is unpredictable, it always looks different. How liberating! Or does it make you feel less comfortable?
- Continuous viewing
- Please do not touch
Roger Hiorns, Pathways - Photo © Studio Pramudya
Pathways, 2024
Pathways (2024) comprises a series of cold, machine objects that you would more likely expect in a factory or garage. Not in an art park. What are these strange objects doing here? During performances they reveal their true meaning. Then a naked young man interacts with the sculpture. In doing so, the work immerses us in the paradox between the active lust of the virile young performer and the sterile, artificial context in which he moves.
This performance will also be conducted if it rains. Please respect the naked fragility of this performer.
Roger Hiorns, Pathways - Photo © Léonard Pongo
Pathways, 2024
Pathways (2024) comprises a series of cold, machine objects that you would more likely expect in a factory or garage. Not in an art park. What are these strange objects doing here? During performances they reveal their true meaning. Then a naked young man interacts with the sculpture. In doing so, the work immerses us in the paradox between the active lust of the virile young performer and the sterile, artificial context in which he moves.
- Continuous viewing
- Please do not touch