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Kiluanji Kia Henda, While I dig into the darkness of the earth, I can see the bling of death in your eyes, 2024 © The Artist – Photo: studio pramudiya, npi

While I dig into the darkness of the earth, I can see the bling of death in your eyes, 2024

Performance (past)

Kiluanji Kia Henda makes architectural steel sculptures derived from sand drawings, used by the Tchokwe people in East Angola and the Democratic Republic of Congo. He combines different forms, techniques and performers, each 'making' part of the piece. For him, the ritual making process itself is just as important as the end result. In this way, assistants and producers become the performers. 

 

  • Please do not touch
  • Duration audio: approx. 4 hours
  • 08.06.2024 - 13:00 / 17:00
Kiluanji Kia Henda, While I dig into the darkness of the earth, I can see the bling of death in your eyes, 2024 © The Artist – Photo: studio pramudiya, npi
Kiluanji Kia Henda, While I dig into the darkness of the earth, I can see the bling of death in your eyes, 2024 © The Artist – Photo: studio pramudiya, npi

Credits

  • Performance: Kiluanji Kia Henda, in Middelheim Museum on 08.06.2024
  • Performers: Marlla Araújo, Nyandra Fernandes and the team of Etoile Mécanique 
  • Texts: Kiluanji Kia Henda and Aline Frazão 
  • Music: Michel Figueiredo aka Zumbi Albino
  • Curators: Pieter Boons and Anna Stoppa
  • Artistic production: Christiaan Huyghe and Eve Van Goey
  • Technical production: Pieter Nys Productions

More about this work

Kiluanji Kia Henda makes architectural steel sculptures derived from sand drawings, used by the Tchokwe people in East Angola and the Democratic Republic of Congo. A storyteller draws these patterns in the sand, as part of a vocal storytelling culture. In the sound recording accompanying this work you hear such a storyteller.

The artist chooses to combine different forms, techniques and performers, each ‘making’ part of the piece. Some ritual actions create meaning together. For Kiluanji Kia Henda there is no distinction between the production process and the end result. Assistants and producers become the performers. Backstage becomes frontstage.

The ritual tradition in Central Africa, that inspired the artist, is in stark contrast with the way in which new cities are built today, with all their megalomanic skyscrapers and artificial computer architecture. Often, this ignores the history of a place, or the ecological impact on the environment. This creates, in Kia Henda’s opinion, an empty new world, haunted by the tales from the past.


Number 6 on the map.

Park map and walking route

Park map with walking route